Monday, 11 November 2013

Night of Bangs and Sparkles: Stanley, The Prince, Fluffhead




Last Wednesday

Let’s talk about the weather.  You know what I hate? Gales, hurricanes, generally wind.  A cool breeze in summer, that’s one thing, a beautiful thing.  But going down the street getting irregularly pushed at by wind, especially when it’s cold and already raining? That’s just annoying.  I feel like I’m personally fighting it. It’s personally pissed off with me and wants to annoy me.

I only mention this, as I came down the hill, and first it was that lovely fine rain. The rain that will coat you completely and have you soaked before you realise it, but it feels more or less friendly.  I was imagining it frizzling up my already unruly hair, which is a nice free service here performed by Mother Nature where some women would pay money for it.  Then the wind started.  Harrumph.

Today has the potential to be highly stressful (hospital appointment for Fluffhead, arrangements of possibly invasive tests; cue massive overprotective co-dependent frenzy of projection and worry on my part), so the least I owe myself is not to get overly irritated by a bit of wind.  You know, prioritise the shit fits.  (Don’t think about the hospital, don’t think about the hospital.)  Sit down.  Write the blog.

                                                            *

Last night was the Night of Bangs and Sparkles.  Fireworks Night, Bonfire Night, Guy Fawkes Night.  Blow up Parliament like V would night.

The Prince, Fluffhead and I stood outside, shuffling and stamping feet in the already smoky air, waiting for Stanley (whose raison d’ĂȘtre is to keep anyone waiting for just about anything for just long enough to piss you off but not long enough for you to deem it worthwhile to have a proper go at him; I end up providing a snippy comment I am unable to suppress, which he will regularly ignore).  We listened to bangs and muffled plosive sounds from the distance on all sides.  Watched the blaring light through the leaves from next door (the crap neighbours) and the total darkness from the other side (the lovely agreeable neighbours, the ones who don’t steal your recycling bins).

Fluffhead pressed the button on his Prince provided light stick, turning it from blue to white torch point, to flashing and dead and back again.  I said I was bored (which is one of my raison d’ĂȘtres come to think of it, and how sad), as well as hungry (ditto), and the Prince smiled as he’s used to me now, and knows when I’m really moaning and when I’m playing at it.

Eventually Stanley appeared, muffled in a big scarf and his army jacket, carrying the box of garden fireworks and the long package of rockets provided by Saint Mum.  (And very luckily too, as we had left it to the last minute, too late to shop, a bit unusual considering we currently had 3 sparkle and bang obsessed males in the house instead of the usual 2.  Mum saved the day.)

The Prince and Stanley set to organising the little display.  The Prince pulling free all the fuses?, wicks? – what exactly are they?? – from the tissue paper tops, Stanley fixing the little metal shelf we balance them on securely to the ground.

Fluffhead, quite interestingly I thought, seemed to remember the whole production from last year, and kept saying in a guttural croaky voice, “BANG!”  “BANG!”  (This is also very similar to his garbled pronunciation of the words ‘brown’ and ‘black’ but contextually, and with the accompanying hand gestures of rising  – outward fan – falling, it became clear what he meant.)

He settled himself on the small stoop by the back door and held his hands together in his lap, smiling and calm, like a small gentleman waiting for the opera to start.

The Prince scuffed his feet some more and looked about him for things to be helpful with (this is what he’s like).  There was nothing immediately doing so he grinned at me a bit ruefully and looked perturbed.  I gave him one of my biggest teeth smiles, as his helpfulness both amazes and amuses me.  As in, its so kindly and nice and er, helpful, to save other people time by doing stuff for them…and then on the other hand, I can’t help comparing myself to him, so he makes me feel a bit like Saint Mum does sometimes: like I can never be this Good and Kind to people, and indeed, I rarely want to be (as in the words of Phoebe from Friends, any favours for others are to be considered in terms  of whether they are boring, expensive or time consuming; and evaluated for action or rejection accordingly).  In the face of such regular unselfishness as a mirror, I often feel like flopping down on the sofa, remote in hand and saying “feck you all”, just generally, to the world.

This is actually one of the major differences between Stanley and The Prince.  The Prince is unfailingly kind and considerate.  Making a moody person like me feel a bit rebellious and naughty.  Stanley on the other hand, can and does help people.  But entirely on his own terms, in his own time, and very often accompanied by mocking irreverent good humour; generally inappropriate rudeness.  I like the way we move around the house Being Rude to each other, swearing  like teenagers just discovering the joy of a good cuss (it has to be said, the swearing part is mostly me).  It’s refreshing, childlike, and weirdly sincere.  I can be my irritable downcast and insecure self around Stanley, and it becomes incorporated into a sort of joke.  Real but not a cause for concern.  To an extent, Stanley fulfils exactly the same function for The Prince.  He calls him out on the sometimes excessive Butler-like helpfulness, and the tolerance and seeing well of other people that can cause him to be taken advantage of.  He is Rude to him.  The Prince smiles.  Stanley makes us laugh and not take ourselves so seriously – a very good skill.  And he does it often.  I don’t know where he fetches his good humour from.  Its consistency in the Face of Life impresses me, daily.  His non-sponginess I aspire to.

The show starts.  Fluffhead springs up.  I pull him back by the hood of his jacket, and he makes a cross noise before taking my hand and standing relatively still.  Stanley is muffling the view, running back from the lit firework that’s gassing Chinese Green behind him.  The Prince takes his hands out of his pockets and watches.  His eyes light. “BANG!” says Fluffhead, even though this one is mostly cream and green sparkles and shoots.  He jumps up and down.  I keep one hand close to his shoulder, a small part of my head filled with public information films from my childhood about burns.

There’s 30 fireworks, but they seem short, shorter than last years.  By the end, there have been some semi loud ones, and Fluffhead has pressed himself back against the glass door to the living room, corners of his mouth pulled down.  Cryface.  He’s had enough.  I pick him up and he puts his chill face in my neck, I feel snot.  I rub his back and we go indoors to watch the last one from there.  The smell of gunpowder sulphur follows us in.  Fluffhead kicks off his wellies and leaves his jacket on the floor, rushing to the glass door and putting his whole face against it. I turn the light off so he can see better.

Stanley and The Prince banter outside, about who gets to clean up the mess.

“BANG!” I hear, followed by an actual one from the garden.  Stanley and The Prince are murmuring together, yes, that was the best one, the last one, how weird.  Fluffhead turns to me, all teeth, happy.  Precious.

I go to the kitchen to put the kettle on for the men.

Monday, 4 November 2013

Season of Samhain: Death and Life, and a Great Wedding


Admin note:
I’ve been gone quite a long while really, haven’t I?  But here I am, returned.  That’s it for the Guest Season now, I decided.  Those posts still to come will now be lone guestings later.  After all, it was sposed to be a Late Summer Season of Love, wasn’t it?  And it’s getting Very Chilly now, Fireworks Night tomorrow; November for god’s sake…so I’ve called a halt.  You’re stuck with me again.  Welcome back…
***

 Tiny pumpkin and bat biscuits made for us by our Honoured Guest, The Prince

The whole Samhain thing is reputedly the biggest date in the year for us neo pagans, so I’m told.  I never quite get into the spirit of it entirely, though I like it.  I’ve realised what the problem is, this year.  Looking at it just as a festival for the one day, when what it holds are quite big ideas, that need living with for a while to really start to use them. So I’m having Season of Samhain thoughts this year.  Thoughts about the way this festival is supposed to be the equivalent of New Year and all the associations that holds.  Getting rid of old things and thoughts that have served purpose.  Bringing new things and ideas in that will colour the coming months differently.  Assessing your goals and purposes and seeing if they still fit, or need changing and redoing; or abandoning and entirely reshaping.  Honouring the dead: and not just dead people; but old dreams, old ideals, old relationships.  Being comfortable with the past for that space of time, where everything merges and bleeds together, briefly.  Letting go.  Trying to welcome the present, the future.  A clean out, a reshuffle.

These are not small concepts.  So I’m going to fiddle about with them a while before I move along to the joy of returning light, at Yule.

And I tell you, I can feel the season working with me already.  It’s interesting, that once you give yourself a framework to think within (and its important for me to keep changing this framework, or risk stagnation and rigidity), the things you then find to slot in, to be brooded over but differently to usual.  I’ve had some events occurring and I’ve been thinking about them sideways-ly as a result of these Samhain associations. Hmmmm…

For instance, since late August Stanley and I and the noble Fluffhead have had a houseguest, Stanley’s best friend, The Prince.  He was very suddenly bereft of his princess after a long time, and through no fault of his own.  So he came to be with us for a while to straighten his head.  I am a horrible person, because part of me thought how cool it was I now get to spend so much time hanging out with The Prince person, as I haven’t seen much of him for years…one man’s tragedy; one Blackberry Juniper’s silver lining.  I was busy imagining how his Big Life Incident was occurring around about the time of the old stag and the new stag fighting (we know how that works out), and how it would be so much lovelier for us all did this not have to be played out in real life.  I sat with him, I hung with him, and I am determined that he will come to see beyond The Ending and eventually find a Beginning here too.  An unwelcome one, but one that must be given in to.  After all, I have squarely placed The Prince in a fairytale background here, which I wouldn’t do idly.  He needs to see this is a Quest beginning, like my friend Jane I wrote of before…he has dragons that need slaying, and I will sit here sharpening his sword for him till he’s ready to behead some critters.  Till he sees how strong, beautiful and worthy he actually is.  Till he realizes that this year's old stag defeated will by next year be the triumphant young stag again - and sure to win, because it all goes round; if you let it.  And Stanley will, in the meantime, chat to him extensively and calmingly, about his encyclopaedic knowledge of film and music.  In the way of bloke conversation everywhere; that marvellous shorthand that seems so small and contains so much.

Speaking of dragons needing slaying, I have been sitting about dealing with some of my own.  More like Hydra.  I slay one, they grow more damn heads.  The exquisite Fluffhead has been having some issues a while now.  Health and developmental.  They aren’t resolved, and will take ages to be assessed, diagnosed, strategized, worked with.  I’m not great with waiting, not knowing, uncertainty.  Especially for things I feel almost 100% responsible for. I find I increasingly and easily can slip into the pit, worrying about the future for Fluffhead, both material and materially.  The strength I will need to be all I need to be daunts me.  Understatement.  Just before the Prince arrived, and tilted our world with his news (and it was like the world tilted, we thought he and the princess were solid forever)…I was sitting on the sofa one afternoon.  Fluffhead was having his nap, and I was reading.  Out of nowhere, I had thoughts about the future: I patterned, I freaked, I felt overwhelmed.  I started to cry quietly, feeling helpless and resigned, panicky and circular. And then I had a nasty little vision.  I closed my eyes, and there in my mind were a young woman and a girl, dressed in dunny coloured 1940s overcoats.  The small girl had beige-ish socks that were bunching at her ankles.  They were an unremarkable pair.  They had been walking along, somewhere, holding hands, and they stopped and turned to me.  The young girl pointed past herself and quietly asked me, ‘Shall we leave now?’

It was one of the most persuasive death calls I’ve ever heard.  So softly done.

At the time, of course, it just made me cry more, because I can’t do that.  I don’t really want to do that and I CANNOT do that, for all the reasons I was already crying about.  For days afterward, those two bothered me; that I had seen them and presented my thoughts to myself that way.  I spoke to other friends who were convinced I had been visited by ghosts in a vulnerable moment.  (Possible, I spose, but I doubt it.  There’s enough going on in my head that this is all me.)  Time Traveller nobly said if I felt like that again I was just to call her straight away and she would come over and hold my hands till the feeling went away.  But after a while, I ceased to be freaked by it.  So I had those thoughts again.  So what?  I straightaway knew I couldn’t act on them, and didn’t want to.  Can’t go backward, can’t get off, got to go forward.  Got to let go of dreams for the futures of others, and accept what is.  Work with that.  Adjust expectation, adjust view.  Take each day, each occasion as it comes.  Search like feck for the bright lights when they come, when they could be there.  Remember that for your children, you are the rock.  And take gratefully the love of others, which enables me to be as rocklike as possible for the little one.

Now, these are darkish things I’m speaking of aren’t they?  There’s been brights too.  I went to a wedding on Saturday.  Stanley has some friends.  *Lots* of friends.  They are anthropologically, sociologically, dead interesting, as they are the most cohesive Group (yes, I give them a capital G) I have ever come across.  There’s a core, and radiating outer circles, and lots of overlaps.  In all I’d say, there’s clear 100 of them, at least, this group.  The core is much smaller, but nearly all of them, the whole extended lot were at this wedding.  And the wedding itself was of those I would consider more or less to be bang on the dead centre of the group: the Lord and Lady of it, to be pagan about it. It was one of the nicest weddings I’ve ever been to.  You know what I’m like with groups, I don’t do so well. So I was worried I would be all shy and viewed as anti-social as I wouldn’t be sure which Blackberry Juniper I am sposed to be being at any given time when faced with a conversation involving more than one person.  I was confused in anticipation. Though looking forward to seeing the very few members of the group who had allowed themselves to be shaved off the herd and made friends with me by themselves (so I could concentrate properly). 

And you know what?  It turned out really well, despite my worried mutterings. There was an odd magic about the whole day.  One fellow attendee proposed to me that this was because everyone in the room (massive room; many many people) loved these two, the couple, and that the wedding had been coming so long (lots of years in the making) it was almost a fairytale event now it was happening. It was making a lot of people feel hopeful; feel solid, feel that things can last, good things can happen.  I saw many people I hadn’t seen in years.  I felt Group dynamic work on me…and in a good way (that is very rare for me!).  I saw one friend who was peckish: I gave him some chocolate.  One person had become himself and himself is an Author and you can buy his books.  (I bought them when I got home; writer types must stick together.)  I saw one person with whom I have had a weird and rocky interaction from the get go…and we sorted it, in one weirdly honest conversation in which surprising things were said.  It felt lovely to let go of wondering what was wrong there, because now nothing is. 

I saw a woman who draws little ink creatures; I love her and don’t see her hardly at all – we had one of those conversations where absence vanishes.  Her force of nature husband, a very long standing friend of Stanley’s from musical days past, among other things, was Himself and I loved to watch him as I always do.  Some people just make you smile with their frankness.  I met another person I’ve only heard of before, another old musical friend of Stanley’s, and was very taken with his wit and kindness.  One couple looked incredibly healthy and at peace; turns out they have been travelling around for a couple of years, taking a sudden windfall and living life with it NOW, rather than waiting for some nebulous future.  I admired their bravery, and saw how much it agreed with them.  I saw an acquaintance with wild red hair and told her how much I loved it, and watched her eyes be happy.  I had a conversation with one friend who also has kids, no time and little money; we joked about our yachts and our times in the Bahamas, not…the mutual lack of news was made golden by the humour; why don’t I laugh more??  I saw the Lady's right hand woman, all smiles and a gorgeous silver stole; a bubble of happy good nature; she is never less than kind to me.  I saw my Treasured Friend from the Group, watched her dance, chatted a while, realized how much I had missed her, resolved to fetch her more often, so I can listen to her talk, for I love her brain; she’s quick and kind, and level like I never am.

Saw so many others.  The Prince reconnected with many of his friends; they were so happy to see him.  One important person of mine I never even got the chance to speak to.  Saw the one naughty and spirited wench woman who could’ve tempted me off the wagon of not smoking for she is a Siren to Fun; and she very kindly Did Not Do It! I saw the friend I always admire for her work with the animal shelters; and for her brilliant gothy clothes: she walks the talk in both senses.  Saw several peripheral people I remembered having great conversations with while waiting for Stanley to get home sometimes; it was as if the past had popped right into the present – there had been some good changes, but so many people were the same, in a good way, a reassuring way.  People were happy to see me, which joyfully surprised me.  Poleaxed me, really.  I always felt so marginal around them all in the past.  But I was a different person then.

And through it all, there were the Lord and Lady, wandering through, hugging and chatting to people, the catalyst for all this connection.  She was in a 1940s floor length dress, with a faux fur white stole; she looked beautiful, she looked happy; she said her vows with total confidence.  I teared up.  The groom was smiling all day.  He’s a great good tempered man anyway, a bear of big brain and bigger laughter.  I watched them hug, I watched the speeches, I saw people all over the room reuniting.  Laughing.  It was a good day.

Just for a minute there, I understood how it all works.

I saw changes, I saw things being let go of, I saw them Begin.  In the season where things start to curl inward and appear to die, I saw so much Life.



 Blackberry Juniper and the Most Wondrous Stanley, at the Great Wedding

Monday, 14 October 2013

BJ's SOLSL: Author Jaq D. Hawkins on Writing and Film Making!!






Jaq D. Hawkins is a pseudonym – and a brilliant one, so I am not going to tell you her real name, though you can in fact find it on her website: http://www.jaqdhawkins.co.uk/


 
I have been reading her pagan books (chaos magic primers, nature spirit primers, and some feminist work) for years, and always loved her to the point style and no nonsense delivery.  There was also something quietly glamorous about her writing, and I was never quite sure what it was.  She also had really well illustrated books, a  bit of a rarity in this niche.  When I found her on Facebook (another hooray for social networking sites) and she replied to my ardent and probably annoying fan mail with calmness, kindness and not a tincy bit of self importance, I thought – blimey, she’s a really nice person too.  She’s still chatting to me now, on and off, years later. Even though she’s really busy now, having branched out from her original books to move on to fantasy fiction (also cracking good reads), and then to guerrilla filmmaking (filled with fascinated envy!).  I’ve never found her to be anything less than immensely kind, tolerant yet plain spoken at the same time, and really helpful.  It’s brilliant when an author turns out to be as nice a person as you hoped they’d be (makes you feel like you could go further than you thought to – the gap is not so great!).

So I asked her to contribute to this Guest Series; and this is the Penultimate Entry, we’re nearly done now!  And she said yes even though she was flitting about the country at the time, doing reshoots and editing (which she is addicted to and does most of herself for her films) – and making constant cake for her crew and cast (yep, also kitchen goddess).  *And* she got this piece to me in a couple of days flat…whereas I then got caught up with personal life crises and am now posting it up 2 weeks later than promised….arggghhh…

Without any further ado – one of my favourite magickal authors, fiction authors and now a film maker too…be inspired!
***

Doing the Impossible

"Why, sometimes I've believed as many as six impossible things before breakfast."
~ Lewis Carroll

"It’s quite fun to do the impossible."
~ Walt Disney

"Think big and don’t listen to people who tell you it can’t be done. Life’s too short to think small."
~ Tim Ferriss


I've always been a writer. Someday, when I've accomplished all I need to in filmmaking and retired from that, I'll still be a writer. Until then, I'm doomed to live a double life, dividing my time between writing, which is life and breath to me, and accomplishing the impossible within filmmaking, which is addictive once you get far enough along the path.

I first became a published writer in the 1990's, back when an author still needed a publisher before the digital age took over. I even developed a reputation within my field, which was writing books for what used to be called the Astrology and occult section of the book store but is more recently known as Mind, Body, Spirit. I wrote about magic and nature spirits, subjects that have always played a part in my life and continue to be sufficiently of interest that I'm planning to write several new books in this category in the near future.

In 2005 my first fiction novel was published. I had written fiction in my younger life, but this was the first time I had completed a novel. More would follow, but not before the demon of filmmaking arose to take over my life.

It's no doubt very common for fiction writers to see a possible movie in their novels. In the case of Dance of the Goblins, the story itself came to me in scenes that I found very visual and the idea of a film had taken hold by chapter four. I finished the novel with the idea in mind that my next task, even before the first of the two sequels was begun, would be to try my hand at writing a screenplay for the story.

The irony is that I spent my teenage years in Los Angeles, going to school with aspiring artists of all sorts and especially filmmakers, but never had any interest in stepping into that world myself. I saw the movie industry as cold and cutthroat, difficult to breach, and pretty much the preserve of a closed society of people who knew each other by reputation if not from working together sometime in history. Some of these people were parents of my school friends. The contacts were there, but the business side of filmmaking still looked unattractive to me.

When I wrote the screenplay for Dance of the Goblins, my plan was to sell it to someone in the filmmaking industry. That was to be the end of my involvement. I could carry on with writing the sequels and any other books that I was inspired to write forever more. However, in the course of researching who I should approach to sell the screenplay, various friends with filmmaking connections suggested I read The Guerrilla Filmmaker's Handbook. That was my doom. I got hold of a copy at my local library and read with fascination as the germ of an impossible idea began to take hold.

I rang one of my friends who had gone to film school and told him what I had been thinking; that I could potentially make the film myself. To my surprise, he didn't tell me I was crazy. He even encouraged the idea. From that point I began reading filmmaking books. My library was well stocked with some of the best research material that can be found on the subject. As I learned more and more about what was involved in the process, the impossible began to look doable.

The sticking point of course was that filmmaking costs money. Usually lots of money. I've been a non-materialist all my life and there was never any doubt that this would be the most difficult aspect of the process for me. How was I supposed to approach potential investors and ask for large amounts of money to do something that I had no experience doing? I had by then surrounded myself with more experienced people. Other producers, directors, crew people; everyone I would need to make a movie with experience behind it. Not big names, but people who made their living in the industry.

I had discovered independent filmmaking, which by definition is any filmmaking that occurs outside of the Hollywood studios (or the BBC). Someone suggested that I should try going on the television reality programme called Dragon's Den to ask for investment. It was yet another crazy idea and unlikely to result in an offer, but it would bring attention to the project which for many businesses had resulted in private offers. While I didn't get a financial offer, I did get an amazing amount of free publicity and a substantially larger circle of support from within the industry.

There were a few detractors who missed the point of the exercise and expressed that they thought they would have had a better chance of getting the investment if they had thought of the idea first, but there were far more who wanted a piece of the project. All I can say to the former is guys, who would invest in a film without at least having a look at the script? The real benefit of allowing a couple of ill-mannered nouveau riche cretins to tear into me on national television is yet to come.

The following summer, I began production on the first of two no-budget B-movies that would define my future in filmmaking. I can't honestly say that it was all planned, but it did seem to fall into place as if it all came out of a grande design. While most people make a short for their first film using friends or classmates as actors, usually without a decent script, I went almost straight into doing a feature film There was one 'trailer shoot' that taught me much about dealing with volunteers and amateurs, myself included. I had never aspired to be a director, but one of the most important lessons of that shoot was that I would have to take control of the set and the crew. It was time to rise to the occasion.

By the end of the summer, I had a film 'in the can'. More importantly, Graveyard Shift was a good film. Despite amateur mistakes and inexperienced production crew, I had something in my hands with a good story and some really exceptional acting by the main roles at least, as I had recruited from local actors who were constantly honing their craft in local productions. Unfortunately I wasn't so lucky with recruiting editors and a series of let downs would delay the release of the finished film. In the meantime, the filmmaking bug had smitten me beyond hope and I produced a second film, Old Blood. This one took two summers to complete, during which I continued to try to find a reliable editor. Not being one to wait for fortune to come to me, I also studied the art of film editing. That actually dated back to the trailer shoot, when the editor of that project left a copy of an old version of an editing programme on my computer when he had something to demonstrate to me.

I found effects fascinating and as an old Photoshop addict, I naturally began to work out some of the problems myself. Eventually, I accepted that I was going to end up editing these projects myself and bought a new version of the editing programme, getting a good price because my work with student crew had qualified me for a student/teacher price.

Despite having to constantly re-write parts of Old Blood as actors moved in and out of the area over two years of shooting, I now have two good B-movies in my hands and work continues on them constantly, although my writing also continues and I balance between the two. The summer of 2013 has been spent getting ADR (Voice recording) of the actors for Old Blood while working on the visual effects continues in between. Both films will be ready to release within a year or so.

And they will be seen and scrutinised closely, because everyone has heard of the crazy goblin lady on Dragon's Den. They still show my episode on rerun. For most independent filmmakers, getting anyone in the industry to look at their film is a real challenge, if not impossible.

First there was Dance of the Goblins, now Demoniac Dance! Power of the Dance coming soon. Keep up to date with the Goblin Series at https://www.facebook.com/GoblinSeries

Tuesday, 8 October 2013

What I've Been Watching This Year: Epicly Proportioned Waffle, Part 2



So, before you ever expected it, and in an unprecedentedly quick move, here’s Part 2 of this post sequence.  All that stuff I have been watching this year (though obviously I am NOT going to bother you with any thoughts I had while watching William and Kate, The Movie, which was a bit of a taste failure on my part, despite my much vaunted love of crap TV movies)…

MORE SPOILERS!  BEWARE!

  1. Confetti
    (Lovely little English comedy, enjoyed a lot.  Loved the weddings at the end – sort of want a Busby Berkley wedding myself now
    J)
  2. Eyes of Laura Mars
    (AGAIN!  Watched for a blog post I’m writing.  Did not enjoy as much as I usually do.  Found it tiresome and rather silly, especially Faye Dunaway.  But there is nothing wrong with Tommy Lee Jones’ performance in this.  He is astonishingly good, something very present yet absent in his face, as befits someone moving between personalities.  And the scene at the end where he says “its me you want”, that camera angle and the semi blank look on his face – never bettered, shiver shiver.  It’s his film through and through.)
  3.  Stagedoor
    (AGAIN!  Even wittier than I remember.  Ginger Rogers steals most of the film, and it has that late Depression era wisecrack feeling all over it.  Apparently a lot of the dialogue was improvised – in which case what astonishingly sharp wit they all had; makes us all look like dullards now.  Lucille Ball looks amazing: what a complete babe she was.)
  4. Exorcismus
    (Interesting horror – Spanish crew, English base and actors. Had some interesting camera work and a nice low key feel.  But dragged appallingly toward the end and lost its atmosphere.  But an interesting idea, that the priest wanted the devil to come.  I still wonder why we believe in devils that are affected by exorcism.  The Stephen King idea of it being belief fighting belief, the reason placebos work is sound.  But…still it doesn’t quite make sense.  The fact we have consciousness that no other animal appears to share in the same way or degree would seem to make us marked out and different.  Does this mean different cosmic rules apply to us, different laws of physics?  Is it arrogance to say there is no God?  Or arrogance to assume there is one, and that that god would be supremely interested in us and using us in a battle for, what?  Anyway, this oddly slow moving film had me thinking some of these thoughts.)
  5.  The Last Exorcism
    (MOST interesting.  As in, it was the last exorcism for Cotton Marcus, who may have lived or died doing it, we don’t know.  First it seemed she  - the ubiquitous girl, in this case, rivalling Linda Blair in her lovely innocence - wasn’t possessed, then that she was; then that she was suffering from acting out in a very ignorant environment, then she was again, and the only reasonable people in the film turned out to be the nutters invoking the devil.  Rollicking good fun film that was rational the whole way through and went Rosemary’s Baby and Devil Rides Out at the end, just for the hell of it!  I would recommend this!  A good time had by all!)
  6. The Awakening
    (A strange and sad ghosty/horror film that changed tacks several times.  Made me feel very sad.  At essence, a film about grief.)
  7. Source Code
    (Had a lot of soul for an action film.  Some strange acting though; I wasn’t entirely convinced by Jake Gyllenhaal [and that would be the first time ever.  Goodwin was a good character.  Very interesting film though. Most watchable.)
  8.  Criminal Minds, Season 1
    (Wonderful stuff that went from watchable to unmissable.  Stand out episodes: The Tribe and Riding the Lightning.  Only sort of duds were The Fox and the last episode, the far fetched season finale.  But I love the characters and I love the profiling.  Bit of an obsession at the moment.)
  9.  Criminal Minds Season 2
    (Still excellent despite a slew of substandard melodramatic episodes early in the run: The Boogeyman, North Mammon, Empty Planet.  Those were weird and far fetched, as was the 2 parter involving Reid’s kidnap: The Big Game and Revelations.  It introduced the interesting sub plot that didn’t have much made of it, of Reid having a drug problem…But then there were quite a number of very good indeed episodes – early on P911 was so heartbreaking I had to go away for a few days and watch something else lighter, it was just too horrible.  The Shemar Moore episode Profiler, Profiled finally gave the man backstory, though again, it did tend to get melodramatic. Lessons Learned was very good. )
  10.  Criminal Minds, Season 3
    (Though this season felt a bit odd, it had some very good episodes.  Again, there was a slight tendency to melodrama here and there; and after Mandy Patinkin’s departure they had the team acting as if they couldn’t function well, when I didn’t think that was strictly necessary.  However, some very good episodes – a lot of them being the ones that involved children or innocents in some way: Children of the Dark was heartbreaking and had me in tears; 7 Seconds was windey and worrying, emotional.  In Heat made me cry too – how sad to have to hide who you are in such a basic way; and Tabula Rasa, the killer who didn’t remember…that was an episode begging to be made.  True Night was a silly clichĂ©d stylised episode – but very well shot and very memorable.)
  11. Blue Bloods, Season 1
    (Despite some total and utter clichĂ© about this, and some dreadful cheesiness, its nice to watch an old fashioned cop drama that has an almost Cagney and Lacey feel; and what can go wrong with Tom Selleck about?  The career defining ham cop Donnie Wahlberg is doing is lovely, and Jennifer Esposito is doing something quite laid back and magical as his partner.  Its stooooopid, and mythologizes the idea of being a New York Cop in the ‘Greatest City In The World’ [can you imagine a Londoner going on like that constantly?, no, I didn’t think so…] but very watchable, and some good plots despite some bad episodes.  The stand out one in the first season was early on – Redo, where Erin is attacked, and the one where Tom gets shot…but several thoughtful properly good episodes and lots of pleasing subsidiary characters.)
  12. Lovelace
    (This could have been way more hardhitting than it was.  As a biopic meant to tell both sides of the star of Deep Throat – this was strangely restrained.  Marvellously done 70s atmosphere though.  And excellent performance by the husband character.)
  13. Behind the Candelabra
    (Ooooooooooooo.  Not surprised this one is picking up awards left right and centre.  I didn’t really know much about Liberace at all, but this weird and wonderfully done biopic gave me enough moments of creepy voyeurism to get me interested.  Michael Douglas was scarily scarily good as an extremely camp gay man.  His house was a shiny mausoleum that itself would have made me feel a bit ill [when I went to Russia, I had to leave the Hermitage because all the gold in one place was making me feel a bit sick and overdone; and Liberace’s house reminded me of that].  Matt Damon and the weird kind of love that lets you get your face surgically resculpted to look like your lover was a small triumph of acting.  A very very weird and well done story about a weird and talented man.  HBO is putting out some good stuff lately.)
  14.  Trilogy of Terror (1975)
    (Ahh, the late great Karen Black.
      A portmanteau horror vehicle, made for TV.  The first story was good, and subtle, unusual.  The second was good too – I always like multiple personality stories.  And the last was incredibly stupid which is funny considering the last one is sposed to be the best and the middle one is usually the dud in these films!)
  15.  Criminal Minds, Season 4
    (This season was odd – a lot of it was melodramatic, and beyond implausible.  Dramatic without proper realism – there was also some very clumsy and obvious exposition writing.  However, there were lots of good episodes nonetheless, and a cluster right near the end of the season that were excellent: Omnivore, Conflicted, A Shade of Gray, the Big Wheel, Amplification.  To Hell and Back had a scary animalistic vibe and the noise of pigs was like Evilspeak.  Earlier in the season Minimal Loss, and Pick Up 52 were good.  Pleasure is My Business, also.  A very strange season – the tone was wrong, the writing wasn’t all that in many places, the weakest season so far from a characterisation point of view – yet still hugely addictive.)
  16.  Criminal Minds Season 5
    (Starts absolutely smoking hot! Drama levels high, a whole Hotch story arc going on – his holding in of his emotions just…so well played.  Character development going on for Rossi and Morgan, and Hotch has his arc that affects everything he does.  And the episodes are hard hitting – I did NOT expect his ex wife to get killed in 100, that was gobsmacking.  Also – the violence depiction level is subtly higher.  First 4 eps are noticeably more violent, especially Hopeless – a truly scary episode about violence for the sake of it, because its fun. The Uncanny Valley and Mosley Lane were 2 extremely surreal and disturbing episodes later on. But as the series progressed something became apparent that’s been creeping in ever since the end of series 2 and Mandy Patinkin’s leaving – some of the episodes just sink into a sort of fantasy.  Not in a surreal way, but you can feel the writers thinking, ‘so how can we do serial killers but differently, this week?’, which leads to some very odd stories that break credibility…which is a shame as the stable of regular characters at these points feel strained and less like possible real people, more like pure fictional stereotypes.  Weird.  That a series can be so incredibly good one minute, and so oddly uninvolving the next – and you can never tell when its coming; plus, the good episodes seem to clump together…)
  17.  The Worlds End
    (Last in the Cornetto Trilogy.  Apart from a daft end, I enjoyed this a lot.  It was sci fi, but I think it was really a paean to drinking with your friends, that’s what it was really about.  And it made me laugh quite a bit, especially arguing back to an alien while very drunk, in a very English way.)
  18. When the Lights Went Out
    (Played straight which was quite a nice surprise for a ghost/ poltergeist story.  Based on that famous case I used to read about all the time when I was smaller that wasn’t Borley Rectory, you know – the other one, with the girl who used to get thrown off the bed up in Yorkshire.  Well, this one had almost perfect 1974 period atmosphere and put its money in the right places, i.e. not all on the effects.  Though it felt as if it had had some of its oomph edited away [like Cursed, I remember, famously, a great Joshua Jackson 18 film that got squashed into a tame shitey little 12 film and lost all its spirit].  But some very nice performances. I felt like it could have gone into a bit more detail and been a touch longer and it wouldn’t have hurt it.  I liked it.  Funny, in a gritty English way, too.  7/10 – it was well on its way to be very good and got a little hung up somewhere – the last sequence and ending, for sure [tsk to that], but also the explanation for the poltergeist activity.  Worth it though, enjoyed.)
  19.  Seance: The Summoning
    (Well.  Dear dear.  A good go I spose, but appallingly overly religious and moralistic – right in your face.  The boy doing the demon was confusing because he was extremely attractively ripped and Cajan ish and by far the best character in the film: am I actually supposed to be supporting the demon in a such overtly Christian film?!  Everyone else was a Bible story.  I wish people would stop trying to re do The Exorcist, as it’s never been bettered in either atmosphere or moral tidbits.  I love seance films, which was why I ended up watching this bit of fluff.  Let me give you a recommendation: the best seance film I've ever seen, is a little 80s number called Alison's Birthday, obscure hard to find little Oz made film: brilliant.  Not overdone, good plot, and an ending that makes you go: ooooooooooooooooo and have chills.  Simple simple simple; not like this overdone clot of effects and moralising we have here, sigh.)
  20.  Smashed
    (A very good low key film about an alcoholic who decided to dry up and how it affects her relationship with her very loving but also very drunk husband.  It manages to avoid drama, sentimentality and theatrics – it’s all very understated but quietly effective.  Elizabeth Winstead Jones does very well indeed, as does Aaron Paul as the husband.  And it doesn’t make the mistake of trying to cover all the issues of addiction, just the ones it is concentrating on, so it feels like a good study of those.  It’s a bit of a study of codependancy in some ways, which is a big issue in lots of addictions of all kinds…)

So, there you have it…some stuff I’ve been watching.  I’ve left out some of the absolute cack, and some of the good stuff too, oddly.  Maybe I shall do another post later, with some more.  See you soon, faithful 3 readers!

What I've Been Watching This Year: Panoramic Waffle, Part 1



Here’s some stuff I’ve been watching this year, Part 1 of…all the Criminal Minds I’ve heretofore been waffling about will show up in Part 2, plus some other stuff which will show up here.  And the rambly thoughts associated with. Apologies for my idleness in not putting the year of release by the side of each film, but all these can be IMDB'ed if you need to find them. 

SPOILERS FOR MOSTLY EVERYTHING, so beware if you don't want to know!

  1. Oooh, You Are Awful!
    (AGAIN! With Dick Emery.  Used to watch this as a child with dad, and Stanley is the only other person to ever recognise it from my sketchy description [man looking at women’s bums for a tattoo combination of something for some reason].  It was lovely, and restful, and interestingly, Dick Emery is the only man I think I’ve ever seen dress up as a woman that I haven’t found offensive in some way, or unkind, or weirdly woman hating (apart from the Python pepperpots).  His drag seems affectionate, amusing and almost sexy in one case.  Mad!  Lovely film.)
  2. Dollhouse, Season 1
    (Since I waited my customary 3 years to let all and any hype calm down before watching this, I am really pleasantly surprised.  You can see the little Joss Whedon-isms all over it – ‘have I not shown you my drawer of inappropriate starches?’ Not only was the concept of taking personality imprints from one person, clearing out another, creating the ‘doll’: an empty person, then loading the imprint of one person to another a very good idea, it was also a very old one.  But it didn’t feel tired here.  It felt well explored, the various consequences and possibilities were spread out as the episodes went.  What about living forever?  What about who would pay to have fantasies enacted via an imprint?  What would they be, why?  So much of it to do with sex and violence (of course).  What if the technology got into the wrong hands and went wireless – what would the consequences be for the world?  Could technology like this ever be in the ‘right’ hands??  At its crux this was simply about who you are, and how your identity is formed, whether it can evolve, do you have a soul (that is, a steady essence that cannot be ‘erased’) – how much of yourself is your memories?  It was about identity, pure.  I had so many thoughts provoked I can’t remember what they all were.  Every episode flowing through me with this stream of associations and implications of the concept.  And like all good TV, all I can remember at the end is ‘Wow! I enjoyed that!  I FELT that!’ – and the taste and memory of good juicy thoughts.  And Topher, Whisky, Echo, Victor, Sierra, November.  Where were their lives while they paused?  Who were they?) 
  3. Remington Steele, Season 1
    (AGAIN! After the first few dud episodes, this was brilliant.  I was watching it only half, as Fluffhead was there and I had to keep re-watching, missing bits, only half giving it my attention – but the comic acting of Peirce Brosnan [e.g. the drunk episode – very funny physical acting], and its general lightness was brilliant.  Underrated.)
  4. Dollhouse, Season 2
    (Disappointing in some ways.  Whilst Topher had a personality transplant to goodness, Mr Lampton became an evil baddie – which was a great reveal but completely didn’t work as I was so invested in him being good it just didn’t wash…now why did Toby in Pretty Little Liars wash and not this?  I mean, I doubted and continue to doubt Toby is bad…but with Boyd Lampton I just rejected it.  It annoyed me, not tantalised me.  Mistake.  And apparently everyone got the last scene – Echo having Paul downloaded into her head, except me, I had to read a hundred reviews to see what had happened.  It felt like an unsatisfying ending.  I mean, after a war’s end, I too, would realistically take a nap…I just meant, the rest of it.  There were some very good things in this series, some extraordinary thoughts on abuse of power etc – but the flavour of the whole series, the development of some of the characters…pissed me off.  9/10, though nonetheless.  Despite the most downbeat happy ending ever…other than Brazil of course.)
  5. Phone Shop, Series 1
    (Started a bit dodgy, but I could see it had potential: and comedy, more than any other genre I reckon, needs to be given a bit of time to get going, to get the feel of it parameters.  It was very good,  Wiggas have never been so amusing
    J  )
  6. The Fades (BBC)
    (Bloody excellent!  So ENGLISH!  So sharp, so original, so witty, so funny, so scary!  Loved it.  20/10.  And some excellent music, Paul Thomason, whoever you are [episode 4 at the end].  Some brilliant acting from Iain de Caestecker and Daniel Kaluuya, stealing the whole thing.  But the writer Jack Thorne – full credit for that script
    J.  Why no second series?  It was forlornly set up at the end, which it shouldn’t have been, rather ruined the end, that…)
  7. Once Upon a Time, Season 1
    (Hmm – I have found the next Charmed.  Well, I didn’t find it, Daisy Ginn found it.  It’s a phenomenon.  Robert Carlyle OWNS it lock stock and barrel, and I am alarmed to fancy a creepy golden fairytale monster, but it’s also very me.  This prog manages to have the moral consistency that Charmed failed to.  And it also has a huge abiding theme: people fighting fear.  Its ALL about people’s actions as a result of fear – whether they let in run them completely and become monsters [Rumpelstiltskin], whether they fight but close off [Emma], whether they try hard to remain good [Snow] or succumb to badness because of terrible grief and insecurities [Regina] or because they feel hard done by [Cora]…or because they genuinely feel too scared to trust [Hook – I’m slipping into series 2 with those last 2, but they have kept up the emphasis of the theme, so its ok to mention here].  Brilliantly, outrageously stupid and contrived; amazingly addictive and innocent.  And some great clothes.)
  8. Carnage
    (Very funny  - Kate Winslet’s husband character stole the film.  Jodie Foster did tense very well; and the unexpected throwing up was very amusing.  The whole ‘this is the worse day of my life’ end and its recurring motif was a little puzzling though.  Maybe it was meant to show how shallow their lives were?  As it was hardly that serious, other than them clashing in views.  People really can’t take being disagreed with.  Or being offended.)
  9.  The Ghost
    (Also a Roman Polanski film, like the last.  EXCELLENT.  Thoroughly enjoyed.  Pierce Brosnan acted brilliantly, and that accent Ewan McGregor was doing was most intriguing – sort of old Estuary style cockney, sort of Oz. Excellent thriller – except I knew all along that Greta Saatchi was the one to look out for.  The gobsmacking moment of Brosnan getting shot left there no doubt that McGregor would also get it at the end.)
  10. Once Upon a Time, Series 2
    (It’s still wonderful and still has its strange little simple moral compass.  Peter Pan looks to be the villain set up for series 3.  Interesting.  Wonder if we’ll see anything more of Wendy?  Still loving Robert Carlyle.  Interestingly liked Belle better as an actress, as Lacey…)
  11. It’s a Mad Mad Mad World
    (AGAIN!  Liked this much better than I originally did.  I used to find it loud and shouty, but I found it quite amusing this time.  Ethel Merman made me laugh.  Spencer Tracy was understated.  I liked the whole silly swinging back and forth at the end.  Unexpected pleasure – and we all watched this together – Stanley because he already likes it, and Fluffhead found its loudness funny.)
  12. The Girl
    (What a pig Hitchcock was to Tippi Hedren.  Blimey.  Very much enjoyed this production.  Will go and read about Hitchcock now – had no idea how long the famous attack scene in The Birds took to film, or that he tortured her so much to accomplish it.  Or that he was such an overwhelmingly creepy bugger.)
  13. The Ward
    (A new John Carpenter film.  Had a bit of a feel of Halloween 2 about it, no bad thing.  I liked it.  I liked the Identity twist at the end – though I wish I had rewound and watched the list again, as that’s when I got it and I would have liked to read it properly. Also enjoyed the Dario Argentoesque frying of one of he characters heads; what does this say about my personality?!  Good thriller/horror.  Though it would seem that I’m the only one to think so, from what I’ve read on the net.)
  14.  Giallo
    (Hmm.  The worst wrong thing with this film is what no one else seems to have mentioned – the music.  ALL WRONG.  Adrien Brody does fine in a very mannered performance as a New York cop.  Emmanuelle Seigneur does feck all except not look pretty anymore…she is practically dead in terms of being used for anything in this; it was a very poor role for her.  The locations looked lovely; the blood looked just right for an Argento, as did the specific gore.  It was just lacking any real character, which is why Adrien Brody’s cop didn’t save it; he was too much of a wonderful stereotype to carry a plot that had bugger all in it.  It also didn’t feel like a Giallo despite trying very hard to look like one.  It didn’t have the sleaze, though it was disturbing.  But it was disturbing more in the way modern horrors can be disturbing, not in the special Argento deeply uncomfortable way of old.  Maybe this is because we fans of Argento keep wanting him to make films like he did in the 70s and its just not doable because the world has moved on.  We blame him for actually moving on; when we should have done the same!  I didn’t dislike the film as such, despite its very poor and unsatisfying ending – it was infinitely better than The Card Player, which didn’t even feel like a Dario Argento at all…this felt like someone trying to do a Dario Argento and failing!  But the glimmers were there, in the look, and feel.  Keep trying, my favourite Dario, you need to figure out what it is you’ve lost, I think, before you’ll get it back or do something different.)
  15. Lipstick Jungle, Season 1
    (Perfection of gloss.  Not a foot wrong.  Really irritated it only had 7 episodes. Andrew McCarthy…ahhhhhhh, still got it!)

So, see you on the other side, for the rest of this panoramic waffle on what I’ve wasted my time watching this year!