Doctor Who Books Read and Heard, Part 12!

This post: treats from the eras of the First, Fourth, Fifth, Seventh, and Eighth Doctors.  This may feel a little Paul McGann heavy, as there is one book and 2 audios for him, but that’s just how it worked out this chunk.

A note on order.  Target Originals are not read in order of publication (which was all over the place), but in order of each Doctor, and each Doctor is read in order of their stories broadcast on TV.  However, I jump about in terms of which Doctor I read at any given time.  The Virgin New Adventures for Sylvester will be read in order; as will the BBC 8^th Doctor series (as though they had been on TV, see?  I’m trying to get an arc flavour).  The BBC Past Doctors series and the Virgin Missing Adventures are simply read in terms of which one I fancy next, as they are stand alone adventures slotting in-between the TV ones.

Oh, and in case you forgot, I’ve taken to recording which books I read that are actual paper copies, and which are Kindle or other electronic.  I’m being social historical for my own benefit. I want to see how long it is before I just plug books straight into my brain, how many years before I’m a reading cyborg.

As always with these rambly reviews: OFTEN LARGE SPOILERS ON ALL BOOKS IMMINENT!!!!

1. Doctor Who: Snakedance, by Terrance Dicks
   (5^th Doctor.  This is one of those now classic incidents – I am starting to see – where I find a story as it is presented on TV yawnworthy, then adore the book to bits!  I think this was partly down to having completely forgotten the performances on TV, other than I thought Martin Clunes did a very good indeed ‘I am bored to death’ performance.  So I was visualizing him as I read, but all the other characters other than Nyssa and the Doctor, I was creating for myself with the help of Terrance.  Notice I didn’t say Tegan. 
   
   I *had* forgotten Tegan’s performance, but in my head I was still seeing her as creepy as she was as the Mara in Kinda.  I made a mistake, which was that, I was SO enjoying the book, I thought – ‘how could I have forgotten this story, it must be brilliant’, so I re-watched it.  And remembered promptly why I had forgotten it.  The main problem [thought there were several], was that they - for whatever reason – didn’t let Janet Fielding do her incredibly creepy Mara-ness in the same way as before.  They didn’t give her the red eyes and ill looking face or the same degree of clear malice in her voice and body language.  Whereas, I *did* remember Kinda [a very good story], and so whilst I read the book, I had The Mara Mark 1 a la Kinda in my head, rather than the limper one from Snakedance.  If you weren’t impressed with the TV version of Snakedance, then do try the book – with just a very few tweaks, Terrance Dicks makes it a very creepy story indeed, full of atmosphere – and Tegan’s Mara is again the truly chilling character she should be.  Recommended.  ACTUAL BOOK.)
2. Doctor Who: Last Man Running, by Chris Boucher (BBC Past Doctors series)
   (Fourth Doctor.  This was a lovely Leela focussed story, that managed the excellent juggling act of also having plenty of the Doctor.  When they end up on a planet, that after much extrapolation, turns out to be a self realising, self refining weapons development and testing facility, the machine that runs the place – and the now psychotic human that has come into contact with it – become very interested in Leela and her warrior instincts.  Cue several very nice set pieces showing Leela’s versatility in getting rid of weird alien creatures: her quick thinking, cunning and skill.  This story runs alongside another where a hapless search and retrieval team think they are sent to the planet to pick up a criminal, a ‘runner’, and also fall victim to the tests.  The Doctor thinks more calmly than the other humans, but less usefully than Leela in some ways in this story.  The story starts with the Doctor irritated with Leela and her literality, her basic-ness, and ends with him having a new appreciation for what her skills are and how quickly she learns. 
   
   Its also peppered here and there with some great little speeches, both from the Doctor and Leela’s remembrance of her warrior training days: “Looking, always looking.  Look for the opening.  Look for your opponent’s fear.  If you cannot find fear look for desire.  Both are weaknesses that can be used against them”.  I kept catching myself wanting to write down these little gems of clear thinking.  The Doctor at one point, intones: “Useful, convenient or pleasureable behaviours become habits, habits become rituals, rituals become superstitions, superstitions become obsessive compulsive disorders, obsessive compulsive disorders become religions” – an interesting way of looking at it. 
   
   The book has, lastly, a very nice satisfying ending – all the characters are taken care of in suitable way, and almost a happy ending ensues – yet without seeming forced or overly jolly.  That was an unexpected nice touch.  So much of science fiction, and especially these Doctor novels, seem to revel in a downbeat ending.  I’ve enjoyed the Chris Boucher books I’ve read so far and look forward to more, especially where Leela is concerned.  He’s really managed to explore what was a brilliant character creation that annoyingly on screen was always distracted to the eye by her bikini type wear – in the books there’s none of this, you get to know her as a brain, a thinking reasoning creature, and so different, therefore a great foil for the Doctor.  ACTUAL BOOK.)
3. Doctor Who: The Sorcerer’s Apprentice, by Christopher Bulis (Virgin Missing Adventures Series)
   (1^st Doctor.  I think its possible that I might be about to make you feel sick with the amount of praise I will be heaping on this book.  It’s the best of the non TV adventure books that I’ve read yet.  Unlike a lot of the others its not too clever, its just extremely well written and just about the best homage-fusion of 2 genres I’ve EVER read – those 2 genres being fantasy [epic fantasy] and science fiction.  And it didn’t mock fantasy, as so many people do; it lovingly recreated its tropes, and wrote the story straight, with a million references to many famous fantasy epics, and fairy tales. 
   
   When the Doctor and Susan, Ian and Barbara turn up in a land with dragons and it just gets better from there, the interesting question the reader gets is of course: Is magic real?  Or real here in this place?  And it spends the rest of the book telling a story with exceptionally good pace, while having another story invade it [some spaceships from ‘the Empire’, and yes, it does make you think of that Empire a little bit] – people need the ‘energy source’ they detect on the planet.  But the planet repels all advanced technology, so how do the Empire people get down to it.  Meanwhile, Susan gets abducted and learns how to practice magic while reliving the Rapunzel fairytale with a Princess; Barbara meets and helps a witch and her cat before getting kidnapped by the faery folk and then left to the mercy of the forest; Ian and the Doctor go on a quest for Merlin’s Helm with a leprechaun and some Knights…and its way more serious and way more believable than I’m making it sound.  And oh my god – it’s such Good Fun! 
   
   It also holds the ranking of being just about the only fantasy novel I’ve read, where I really believed in the evil magician – while he was wearing silly hat no less [and I used to be a MAJOR fantasy reader in my 20s and 30s, so I’ve read lots of this kind of thing]; and where I actually came to see the versatility and worrying nature of nanobots.  And what happens to a society that has No Concept of God.  [A very interesting sidebar to the plot, that was.] 
   
   And yes, the magic question gets answered.  And no, the answer won’t disappoint you.  This was 10/10, brilliant, I will read it again sometime!  This has set a very high bar for this author for me, so I’m hoping his other books are this good.  They don’t have to be this much fun [its RARE a book is this much fun in the scifi genre] – but they have to be this compulsively readable and believable…ACTUAL BOOK.)
4. Doctor Who: Storm Warning, by Alan Barnes (Big Finish Monthly audios, no.16)
   (The first 8^th Doctor Big Finish adventure.  Gary Russell directed this.  Which surprises me.  This is another one that lots of people seem to like, and that more or less misses me completely.  I really WANTED to like it – whilst the TV movie isn’t great, I thought Paul McGann had allsorts of interesting possibilities which he never got a chance to explore.  I’ve been loving his portrayal based on the limited info they had, in the BBC 8^th Doctor book series.  But this one just did not work for me at all.
   
   I don’t know what they were thinking with the remix of the Dr Who theme Paul McGann’s Doctor has.  I see they couldn’t use the TV music, and I see he needs his own disparate variation of the theme – but this one sounds weak and faltering and I hope it grows on me, because it annoyed me every time I heard it.  [It was a bit like the over bombastic new Who music being all OTT – this *underwhelms* almost to the exact same degree, for me.]
   
   To begin with on the story, there’s an awful lot of very clumsy and clunky exposition said by Paul McGann – an awful lot of talking to himself at the beginning [as if the writer was afraid we had forgotten the sound of him], and it continues on here and there throughout the story: “Its becoming – oh no – an energy weapon,” some very obvious audience information transfer. The sound of him as a character IS interesting – he's bit sharper than the TV movie, a bit more cynical, a bit more sensual [and of course, he was the only Doctor at that stage to have anything approaching tender feelings for a human woman – so this is a part of his character it will be interesting to hear.]
   
   Another voice performance that works well is Gareth Thomas as Tamworth, who sounds exactly like Colin Baker to my mind, which did confuse my brain through a lot of the proceedings; but his certain sort of 1930s fellow was spot on. [As was the character portrayal of a certain sort of petty ruthless power monger, in the character of Rathbone, he seemed to me written well.]
   
   The big thing about this story other than its reintroduction of the 8^th Doctor, is the introduction of a new companion at the same time [a stowaway who wants to be an adventuress, who should have died by the end of the adventure, so the Doctor takes her with him to remove her from history].  India Fisher as Charley Pollard doesn’t – so far – convince me at all.  She sounds a little bit shrill at times, and sort of jolly hockeysticks schoolgirl often.  I found listening to her made me wish someone else was speaking.  Obviously, I hope this was just how she was written and directed in this particular adventure, and that she grows on me – as the companions are so important in the Who stories.  She and McGann did seem to be bouncing off each other nicely, so maybe my ears just need time to settle into them as a pairing.
   
   The story was coherent enough, like being on the Titanic before it sinks, but an airship instead.  There are time vortex creatures outside, and a new alien race, the Triskeli, featuring heavily in the story.  The ideas behind both creatures were interesting, but were presented so much in the form of simple exposition my brain seemed to wander off.  That was the main thing I suppose.  Some of these stories grab me instantly, and even if I’m not entirely sure what’s going on, there’s an immediacy and a curiosity that has me hooked and listening.  This was one of the other kind of stories – I knew what was going on, but I was struggling to really care about any of it, or the characters dilemmas and choices.  That’s never good.  I hope the next 8^th Doctor play is better, since there’s 4 off the bat with him in now…ON DOWNLOAD.)
5. Doctor Who: Goth Opera, by Paul Cornell (Virgin Missing Adventures)
   (5^th Doctor.  This one started off rocky, for me.  I’m coming to realise that as well as being chock full of imagination, Paul Cornell is also a very playful writer, and there’s something about the way he plays with the Dr Who universe that feels a little bit off to me.  He’s incredibly readable – just as with his last book, I read this one in almost a day, I let other things go to read it, I provided very blah childcare during this book!…but every time I did pop my head up from it, I felt that something was not quite right, for all its addictive pull.  The Doctor, Nyssa and Tegan are perfectly done, I could see and hear their every move; Romana II, Glitz, Captain Spandrell and other Gallifreyans were closely envisioned. 
   
   Maybe it was the supporting characters that weren’t quite doing it for me.  I say the book started off rocky and it was because I didn’t like the 2 vampires portrayed, Madeleine and her boyfriend Jake.  There seems to be a thing, a common thread in Dr Who books, of making vampires either laughably arrogant and pompous [Yarven in this case, and Ruath], or else so ordinary, yet wisecracky, that they still don’t feel quite real – that was how I felt Madeleine and Jake; though by the end of the book they’d grown on me and I was glad they had gotten away to start a new civilisation. 
   
   Also, there were a couple of missteps – at the beginning of the book, Tegan is annoyed that they have gone to Australia and are watching cricket, she’s bored to death.  But in Black Orchid, well preceeding this story, she’s a cricket fan and happy to watch, while Nyssa and Adric are puzzled and bored by the game.  So that was weird.  I wasn’t quite sure in the time scheme of things how Roamana II ended up back on Gallifrey at that moment, as if this is after the E Space trilogy [which it was sposed to be, because of her vampire knowledge], then why wasn’t she still trapped willingly in E Space?  Maybe I missed something.
   
   His treatment of Lang, the American evangelist with something to hide, and Christianity, was interesting – it could have been done in a hostile way and it wasn’t.  It was handled kindly, if anything.  That surprised me, as there is a sort of playful cruelty I pick up in parts of Paul Cornell’s writing: he’s not afraid to have any character suffer, and he could have made mincemeat of this one – he chose not to, which gave grace to the portrayal and the crimes of the character. 
   
   Anyway – this was a strange book – as I say, I ate it up very quickly even though I wasn’t sure if I was liking it – I’m starting to think maybe all my Paul Cornell reading experiences might be a bit like this!  Maybe his books are like a fairground ride – I’m thrilled along, strapped in, can’t get out – but I’m relieved when it’s over, despite how vivid it undeniably was?  In the Introduction, as this was the first Missing Adventure published, the Editor said these stories were going to be a lot less experimental and more traditional, than the earlier started series, the New Adventures [for Sylvester] – I found it odd, that being the case, they started with this book and this author: he’s definitely experimental in that his imagination is so rammed full and slightly nightmareish [think the Baby character here] and he’s more than a bit irreverent in his writing.  Hmm.  ACTUAL BOOK.)
6. Doctor Who: Sword of Orion, by Nicholas Briggs (Big Finish Monthly, no.17)
   (8^th Doctor.  This one took a long time to interest me.  Despite loving to listen to Paul McGann’s voice, and the Charley Pollard character starting to grow on me [getting used to that posh tomboy voice], I felt the story could have done with some editing.  I’m noticing in general, that the Big Finish stories are starting to get longer and longer, from 1 ½ hours, to over 2 hours.  Not only does this make it hard to listen to in the Fluffhead at nursery/primary school timeslots that I have, without splitting them up [which is annoying], but I don’t necessarily think that the stories have that much more in them for the extra length [so far].  I wonder if the stories are going to adapt to the extra length and use the time wisely, or whether they are going to continue just sort of …spinning their wheels and having lots of semi rehashed exchanges between small groups of characters??
   
   Criticisms over, it was a good story, once it got going.  Starting from Ramsey, their adaopted Vortizore, getting ill and needing to help him, and leading to Cybermen and an attempt to use them in a war between humans and androids [in the Orion system of the title], with a good double twist on one of the main characters right near the end, it did carry itself along.  I got the feeling that had I been reading this as a novel rather than watching it as a play, I would have felt more involved – been quite happy with the slow exposition and pace.  As it was, I was very conscious that the scenes with Charley and the Doctor discussing what was happening were much easier to listen to than the scenes with the largely Cockney crew of the scrap ship – even though it was fun to hear some old style Cockney accents – you rarely get to hear them anymore, since in our actual world, Estuary has almost taken over, along with an interesting ‘urban’ school dialect [that Fry and I have always adored to use in conversation because its so fun and has such brilliant shorthand words]. 
   
   This was an odd story: it took a long time to play out and led to an abortive ending that felt a bit anticlimactic [I missed the emotion of a bit that I can see was meant to be poignant], however, this being only the second Paul McGann outing in this format, I was ok to listen to carry on acclimatizing myself to this new way of experiencing his Doctor, and as I say, India Fisher as Charley, am  getting used to her too.  I’m hoping these Paul McGann outings are going to drastically improve though, as they aren’t grabbing me by the throat and keeping me fascinated like some of the better Sylvester ones so far, for example.  Also, the sound palette on this one didn’t feel very inspired.  But quite happy to listen on – still early days.  And I can feel the beginning of good chemistry between Charley and the Doctor, which is always a reason to listen/ watch/ read Doctor Who.  ON DOWNLOAD.)
7. Doctor Who: Dragonfire, by Ian Briggs (Target Original)
   (7^th Doctor.  Oh goodness…this is very very hard to write a review of.  I loved the TV serial of this, and I loved the book.  There’s something very spare and clean about this story, as spare and clean visually as the Iceworld sets.  Its simple – a bit stupid, many say – and all its characters are underdeveloped…well, the book adds a few extra scenes that give us more of the backstory and thoughts for 2 or 3 characters, notably Belazs, but, really, it’s the same spare clean and odd story I liked when I saw it on TV.  I like the little girl Stellar; she serves no real purpose except as a narrative linking device…yet I enjoy her, here as on the TV.  I feel for the Dragon Creature, just as I did when I watched.  I honestly am at a loss to explain or understand why I find this story as satisfying as I do.
   
   Is it the introduction of Ace, a not real teenager that I nevertheless enjoy greatly?  I just see her as a sassy not yet grown up person, full of bluff and doubts and angry confusion.  Someone older imagining how a teenager would be when they can’t quite remember.  Is it how she interacts with Mel?  Quite well, I thought, they were an interesting pair – one enthusiastic but calm and mature; the other impulsive and bolshey.  How the Doctor is by turns comedic and serious, so that I’m never quite sure where his performance will go next?  That definitely contributes.  That cliffhanging scene just made me laugh – I thought it was a very cheesy and amusing visual gag; it didn’t make me as uptight as it seems to lots of others.  I didn’t find it lazy; I found it quirky, as I find the whole story quirky.  In a world of its own [along with Paradise Towers and The Happiness Patrol – they are all in some weird parallel universe].
   
   The whole story in some ways is pointless and goes nowhere – it showcases Glitz [always a fun character to see], and introduces Ace…that’s it.  But I like it.  Just one of those things I can’t quite explain…ACTUAL BOOK.)
8. Doctor Who: Dreamstone Moon, by Paul Leonard (BBC Past Doctor Adventures)
   (8^th Doctor.  I think I was expecting something epic here, because all his previous books I have read have been so: dealing with huge moral issues and how they impact races under threat of genocide through one means or other.  In a way, this was the same, in that the dreamstones are sentient, parts of a larger creature, and to mine them is to maim them – to mine them large scale is to kill a race…But it wasn’t that sort of book.  The focus was different. 
   
   This is the book where the 8^th Doctor finally finds Sam again, after losing her a few books back.  I had imagined [I mentioned last post], that when she found the Doctor again, she would be much changed due to her terrible experiences in The Longest Day.  But, and I don’t know whether this was deliberate, due to her nearly starving on the Kusk ship, its as if the experiences in that book have been almost obliterated, she seems none the worse for wear.  Even though that book was all about horrible choices, and she has some to make again in this book, which you would think would bring it all back to her…but no.  Not sure what I make of this handling of her experiences.  Maybe they’ll pop out and we’ll deal with them later; she was after all, very busy in this book, no time to reflect.  For now, it was insufficient and felt wrong.
   
   There are some memorable characters in this book though.  Aloisse is a typical Paul Leonard character as I have come to expect them, he seems to have one of these per every book he writes:  an alien creature of great nobility and morality, to whom bad things happen, yet they react with dignity and resourcefulness.  This character will make your chin quiver with her bravery.  She was good.  And for once, she was also not killed or otherwise isolated by the end.  Anton, the actual protagonist of the book was a very interesting if underdeveloped character.  He drives the plot and is the one who realises, as the Doctor does, about the sentience of the stones and why they act as they do for some people.  The Doctor also realises, before Anton does, that Anton can control the stones, and is projecting his own fear into them.  There’s some sad lyricism: “Anton was dreaming.  The Doctor rather suspected that Anton had always been dreaming, that there had always been only a slight, if significant, distance between what went on in the world and what went on in his head.”  Anton dies, later.  “After a while, The Doctor realised he’d just killed a man with the force of an argument.  It wasn’t a very pleasant thought”.
   
   The weird thing about this book is that the Doctor is in it often, rushing about, figuring things out as he does; but there’s no real feel of him – he’s at his most absent as a portrayal as I’ve felt him in any of these books.  It’s all about the other characters.  But that does work out ok, its not annoying.  This story has room for everyone, as its very action oriented, and flows along at a very brisk pace.  The world created is not as detailed as his other worlds, nor as portentous.  But it’s still a satisfying read.  This author is in trouble anyway: his previous books have been SO GOOD, that I have very high expectations! ACTUAL BOOK.)

The next lot of Dr Who books read this year - Part 4

And here we go again.  Part 4 of a series of posts.  Wonder how many more I’ll get through on this series, this year?  You’ll see, below, that this was a very mixed bunch indeed, this latest lot.  Some I loved (Paul Leonard’s Venusian Lullaby); and some I’m amazed I got through (Eric Saward’s The Twin Dilemma). Strangely, the strength of the plot has nothing to do with whether I am enjoying these – some of them have very slight plots but are written and characterised so appealingly I am happy and sail through.  Others…I really enjoyed The Twin Dilemma as an intro to the 6^th Dr on TV (unlike lots of other people!)…but the book.  I think it may be the most unhappy (though hopefully not unkind) review I’ve ever given to a book I didn’t actually rip up.  (Yes:  I once ripped up a book.  It was so full of hate and nastiness I felt that no one else should be subjected to my copy, at least; so I tore it up to rid myself of the bad feelings it had provoked…It was a very nasty thriller I read some years ago – nowadays we’d call it torture-porn, but we didn’t have that term back in the late 80s!  So.  Not a habitual destroyer of books: each to their own in reading, I say.)

As always: SPOILERS ON ALL BOOKS VERY LIKELY!!!!

And a note on order.  Target Originals are not read in order of publication, but in order of each Doctor.  And I jump about in terms of which Doctor I read at any given time.  But each Doctor’s individual stories will be read in order of broadcasting on TV.  The Virgin New Adventures for Sylvester will be read in order; as will the BBC 8^th Doctor series (as though they had been on TV, see?  I’m trying to get an arc flavour).  The BBC Past Doctors series and the Virgin Missing Adventures are simply read in terms of which one I fancy next, as they are stand alone adventures slotting in-between the TV ones.

1. Doctor Who: Earthshock, by Ian Marter (Target Original)
   (5^th Dr.  I just didn’t get into this one.  It felt very bitty, and unconnected and none of the characters felt particularly real, even the Doctor.  The Beryl Reid character swaggered and behaved like a stereotypical boar through the book.  Nyssa felt unnecessarily excluded from the main action, Tegan behaved like a stereotype of herself [‘a mouth on legs’], and Adric dying seemed like something of an afterthought – though it was the most affecting moment in the whole story on TV. Hmmm…Not sure what went wrong here?  Maybe its me, and I just wasn’t in the right mood for this one – though I am finding the 5^th Dr adventures way more readable than they ever were watchable – but here’s an exception. ACTUAL BOOK.)
2. Doctor Who: Edge of Destruction, by Nigel Robinson (Target Original)
   (1^st Dr.  This one watched very well but didn’t read so well.  I wasn’t absorbed.  The jarring nature of the hysteria and paranoia seems to have been more visual in this story than I realised.  I also found the denouement rather contrived: all because of a stuck button, The TARDIS spent the entire book trying to tell them what was wrong with the ship by means of poltergeist phenomena and electric shocks [eh?]; possession – for example some silly episodes with scissors that did the plot no good and were red herrings of the most irritating kind[really truly ehh??!!].  All a bit silly.  There could have been a much better reason, and the way the TARDIS chose to communicate – and how on earth it managed it could have been way better explained.  More believably.  Liking Barbara’s role in this one though: like the idea that she saw a narrative and followed that, where pure science, being emotionless, was unable to see the links.  That was a nice touch, thought provoking.)
3. Doctor Who: The Twin Dilemma, by Eric Saward (Target Original)
   (6^th Dr.  Good God, this one almost derailed my marathon entirely.  TURGID is not the word.  At first I thought the writing was quirky, but then…in too many places it is perfectly serviceable before slipping into some truly strange narratorial choices.  He found it impossible to stick to the point, whatever it was at the time.  Not in the adorable manner of Lawrence Sterne either.  Just as if he wanted to focalise every random character that was mentioned in passing.  And some that weren’t random characters really.  At one point, by example, a cat watched some other characters leave a scene.  We then get treated to a description of what the cat knew.  We focalise a cat that is never seen in the story again, for 3 pages, for absolutely no reason.  I am amazed this story got told at all, what little there was of it, because the author’s inability to keep himself interested in it long enough to tell us, was obvious.  Painful reading; except the bits that were good – which is why I’m so irritated with the rest of it!  ACTUAL BOOK.)
4. Doctor Who: Blue Box, by Kate Orman (BBC Past Doctors Series)
   (6^th Dr.  This one was a problem.  It started very well, then made a fatal error – an error I am noticing in several of these after show independent tie-in books.  Whilst the presentation of the Dr and whichever companion are usually finely and perfectly played, the surrounding story often feels like a crowbar.  Either something to do with its setting – there really is too much America in the modern books, the joy of the Dr in many ways is that he is a galaxy wide traveller, but that like any ‘homegrown’ hero, he keeps mysteriously popping up most in his country of authorial ‘origin’.  He’s more parochial than we like to think.  Even the faraway planets bear odd resemblances to England in their bureaucracies etc.  Anyway, the point here, is that the story was a good one (about the birth of the internet age and hacking), but Kate Orman was determined it be partially a ‘road movie’.  There was so much driving about and crashing in motels and popping outside for a smoke for some exposition that I got very very very bored and wandered off.  I think I read maybe 13 other books before I summoned the sudden interest to come back to this one. 
   
   Thing is, I like Kate Orman’s style, I think she’s a really good writer.  I like the way she painted Peri and Colin Baker.  I liked, for the most part, the subsidiary characters, especially Luis and Mondy; though Swan was so psychotic as to be something of a mystery.  But though the plot was grand, all that driving about and going from one place to another reminded me of something Stanley is always saying about the older Dr TV stories – the 8 parters.  That the middle episodes are usually lots of pointless and irritating running about.  This was the problem here.  Like in The West Wing when they parade about having urgent conversations while walking purposefully, because it’s more dramatic than people endlessly having conversations in little rooms, sitting still.  The story was great, but I felt like I could have edited it to a smaller novella and it would have been tighter and much easier to read, a feckload snappier.)
5. Doctor Who: Venusian Lullaby, by Paul Leonard (Virgin Missing Adventures Series)
   (1^st Dr.  Eat, Remember.  This is a bit of an unforgettable read.  Rarely have I read a world so well constructed, so fully alien.  I had trouble visualizing and following the characters in places because the names, customs and action, to a degree, were all so completely different to here.  It wasn’t the fault of the author that I got lost here and there, as I was following the gist and was very tired.  I think I must really like this author: this is the 2^nd Who of his I have read and it had similar themes to the last [though a happier conclusion]: a very civilized race at the end of their expectancy; their planet is dying.  What to do?  Accept? Fight and try to leave?  And if someone comes miraculously offering rescue, are they to be trusted?  There was plenty of heroism in this, and plenty of intrigue, suspense and action.  Much thoughtfulness.  Ian and Barbara prove their mettle.  William Hartnell is urbane and effective.  I enjoyed it immensely and would read it again. 10/10. ACTUAL BOOK. )
6.  Doctor Who: Tip of the Tongue, by Patrick Ness (Dr Who 50^th Anniversary e-short story series, BBC)
   (5^th Dr.  For a tiny thing, this wasn’t bad at all.  Took me about 45 mins to read with interruptions, and I enjoyed it, though it was a bit childlike, and Nyssa was slightly not herself in places.  Characterisation of Peter Davison was strong, though.  I liked the US setting [for once!] and its strong evocation of a small town during WW2. The poverty and racial tensions were quickly painted but well done.  The Truth Tellers were a strangely memorable idea and my image of them in my head is sinister, where the story was not.  The points about slavery and freedom were nicely done: not in your face and preachy, just told in the story itself, subtle.  The best way to get people to think on something.  ON KINDLE.)
7.  Doctor Who: The Doomsday Weapon, by Malcolm Hulke (Target Original)
   (3^rd Dr.  I thought I might find this one boring, a mining planet, Jo and Pertwee start arguing with colonists – its all about mining: again!  And yet I didn’t.  I got right into the ins and outs of the colony’s viability, their conflict with IMC, the large mining company.  The lovely portrait of Dent as amoral and utterly loyal to his paypacket and his little house and his IMC chosen wife.  I loved the line he came out with about how you could always trust people who were unscrupulous and ambitious; as of course, you can’t – but he meant they would be predictable, so you know where you are with them, and know to have eyes in the back of your head.  The moral repurcussions of the mining company trying to clear out the colonists from the planet by means of deception and violence were well explored. 
   
   I liked Jo’s proactiveness here; she disappeared for almost the first third of the story, but reappeared later, escaping, being recaptured, but generally not being fatalistic and trying to help.  Bit inspirational, in a funny way.  The Master felt crowbarred into this story, not entirely sure why he was there, what his real input to the story was, though his search for the Doomsday Weapon of the title was in character enough. This aired as Colony in Space – Stanley tells me that stories ending in ‘In Space’ are often regarded as the crappest, by officionados; I disagree, I liked this one. ACTUAL BOOK.)
8.  Doctor Who: Timewyrm Revelation, by Paul Cornell (Virgin New Adventures Series)
   (7^th Dr. Have to say I am pleased to see the back of the Timewyrm.  I didn’t like her as a character right from the first book; and I STILL say it was both courageous and bloody stupid to start the New Adventures Series with a set of 4 books all based around the same character…when there’s such a risk this character be found flat and boring as feck.  Saying that, this book was a good send off for her, and a strange book altogether.  I liked it a lot; and I also found it very self indulgent and rambling.  The beginning and end were very tight, and the middle rollocked all over the place in a very irritating and gambolling kind of way.  It was a fever dream of a book.  Rich in imagination and vivid imagery, it suffered though from two main flaws, in my reading. 
   
   First, the characterisation of Pertwee [who pops up at first in an artist’s smock, really?!]  is not believable – apart from saying ‘old chap’ a lot, a simple verbal tic, he  didn’t sound like himself, the sorts of things he would say.  And the cameo by Tom Baker – if I hadn’t have been told it was him, I would never have guessed – as one of the most recognisable Doctors…this is a problem.  And second, the book had a failing that is very current indeed, very timely: it was far too epic in tone.  I see why it was, what with being set in the Doctor’s head, a massive landscape.  But it felt like an ambitious action fantasy film with an addiction to that irritating one size fits all operatic theme music we get treated to so much these days in cinema.  There was too much angst, too much shouting, too much near death – the stakes were too high, too often!  A failing of pace, or tone??  Not sure. 
   
   I really did enjoy this book, I hasten to add – I finished it in 2 days flat, and I flowed along with the stream of consciousness changes of scenes, the dead-not-dead-oh-dead-again-ness of Ace and then Sylvester…and it ended very nicely indeed.  There were some marvellous subsidiary characters: I really liked Emily and Peter Hutchings, and Emily’s link with Saul [the vibe between Emily and Saul was a sort of non-sexualized hark back to The Witching Hour and Lasher, by Anne Rice: the disembodied spirit; except this one was friendly and had a stronger link to the vicar than anyone else, but the echo of Anne Rice was there, and it’s a nice concept, I liked it].  I enjoyed the little loose ends all being tidied away at the end; this gave me satisfaction.  Not sure how to conclude – loved it; and found it irritating – almost in equal measure.  ACTUAL BOOK.)

And there you go, for this instalment.  Who knows which ones I’ll read next?  There’s likely to be more 1^st Dr coming, as I am enjoying William Hartnell a lot.  I’m wondering how the New Adventures and BBC 8^th Doctor series can carry on as long as they did…because you can’t truly, subject your main characters – especially the companions – to such anguish and torture and betrayal (etc etc etc) as these 2 series do, every book, without it all becoming rather desensitizing.  I’m interested to see how they go on.  For the first time, I find myself wondering about these 2 series in particular…whether I’ll actually be able to get through them all.  As the BBC Past Doctor series and the Virgin Missing Adventures, being more stand alone adventures, and jumping about more…they feel more self contained and any massive trauma inflicted in them: for instance, in Mark Morris’s Deep Blue, when the 5^th Dr and most of the UK turn into horrible creatures; and despite the rather magic wand ending, you got the impression that a bit of amnesia and time passing would make the next adventure possible.  Whereas the 7^th Dr series and the 8^th Dr series – they flow on and on with not that much of a time gap between each one.  You start to feel like each of these 2 Doctors should perpetually suffer a thousand yard stare.  They should be traumatised.  As should Sam and Ace (and I’m told much worse awaits her in particular in the next few books). 

I’m not entirely convinced this level of emotional and physical trauma and  angst is the best or only way to go with these stories.  You don’t really want to finish every book you read wrung out and a bit sad, do you??  I don’t mean all the stories should tip into farce or slapstick either…just that the idea of more adult books for the Dr Who character doesn’t ONLY have to mean violence and war and betrayal for the characters – and on an epic galactic scale.  Smaller stories can pack just as much of a punch.  And I’m starting to want to see some of these too, in these ranges.

Let’s see what’s next, and where the authors take me…let’s see more science fiction and a slightly less heavy handed (over dramatic? sentimental? over emphasized?) tone when it comes to emotional matters, hard choices and the like. 

Just thinking aloud…